In between each of the primary pitches of the overall ascent (signified, as noted above, by moments of repose on unison sonorities) we find a succession of transitional tones, microtonal inflections of the primary (unison) tones (Example 5). These transitional tones, when sounded against the primary pitches and each other, produce beats; which, as noted, Scelsi carefully calculates and notates in his score.
Giacinto Scelsi Score Pdf
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